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Rayleen Forester, The Wound is the place where the light enters you, 2019.             l i s t e n . . .

Ghost Objects

exhibition catalogue

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Fulvia Mantelli, Honor Freeman, Artist Profile, issue 42 2018, p. 96-100

Artist Profile

interview

Designing Craft_Crafting Design

Margaret Hancock Davis, Margot Osborne, Brian Parkes (Ed.), 2013, JamFactory, pp. 88, 89.

Designing Craft/Crafting Design : 40 years of Jamfactory catalogue

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Roy Ananda, Harmonies and Disonances, Journal of Australian Ceramics, 51/2 July 2012, p. 74-77

Journal of Australian Ceramics

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Kevin Murray, 2005, Craftsman House, Melbourne, VIC, pp.100-105

Craft Unbound :

make the common precious

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Leanne Amodeo, Odes to Ordinariness, 2017

Ordinary Alchemy

exhibition catalogue

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Fulvia Mantelli, Honor Freeman, Artist Profile, issue 42 2018, p. 96-100

Obsessed : Compelled to make exhibition catalogue

101 Contemporary Australian artists

Kelly Gellatly (Ed.), 2012, National Gallery of Victoria, pp. 76, 77.

101 Contemporary

Australian Artists

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Front cover, Vol 53 No 3 of The Journal of Australian Ceramics, Nov 2011.

Journal of Australian Ceramics

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Adele Sliuzas, Being Consumed, Journal of Australian Ceramics, Nov 2014, p.16-22

Be Consumed : Creative Collaborations from the Barossa

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Inga Walton, Ghost Whisperer, Ceramic Review July/August 2019, p 28-33

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Sera Waters, The care-full craft of lifetimes, Journal of Australian Ceramics, 55/2 July 2016, p. 58-62

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Kait Gilioli, Broadstrokes blog, National Museum of Women in the Arts, Washington DC

Material deception

Honor Freeman & Lynda Benglis

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Christine Morrow, MCA, p. 16-19

Primavera 07

exhibition catalogue

© 2020 by honor freeman
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