Rayleen Forester, The Wound is the place where the light enters you, 2019
Ceramic Review Profile
Inga Walton, Ghost Whisperer, Ceramic Review July/August 2019, p 28-33
Fulvia Mantelli, Honor Freeman, Artist Profile, issue 42 2018, p. 96-100
Ordinary Alchemy exhibition catalogue
Leanne Amodeo, Odes to Ordinariness, 2017
Lisa Cahill and Penny Craswell (Ed.) Obsessed: compelled to make exhibition catalogue, 2018, p. 30-35
Soap score exhibition catalogue
Sera Waters, The care-full craft of lifetimes, Journal of Australian Ceramics, 55/2 July 2016, p. 58-62
This article was published in Vol 55 No 2 of The Journal of Australian Ceramics, Nov 2016. Permission has been given to make it available on this website. © The Australian Ceramics Association 2018
Designing Craft/Crafting Design : 40 years of Jamfactory exhibition catalogue
Margaret Hancock Davis, Margot Osborne, Brian Parkes (Ed.), 2013, JamFactory, pp. 88, 89.
101 Contemporary Australian Artists
Kelly Gellatly (Ed.), 2012, National Gallery of Victoria, pp. 76, 77.
Material deception: Honor Freeman & Lynda Benglis
Kait Gilioli, Broadstrokes blog, National Museum of Women in the Arts, Washington DC
Roy Ananda, Harmonies and Disonances, Journal of Australian Ceramics, 51/2 July 2012, p. 74-77
This article was published in Vol 51 No 2 of The Journal of Australian Ceramics, Nov 2012. Permission has been given to make it available on this website. © The Australian Ceramics Association 2018
This was published in Vol 53 No 3 of The Journal of Australian Ceramics, Nov 2011. Permission has been given to make it available on this website. © The Australian Ceramics Association 2018
Craft Unbound: make the common precious
Kevin Murray, 2005, Craftsman House, Melbourne, VIC, pp.100-105
Adele Sliuzas, Being Consumed, Journal of Australian Ceramics, Nov 2014, p.16-22
This article was published in Vol 53 No 3 of The Journal of Australian Ceramics, Nov 2014. Permission has been given to make it available on this website. © The Australian Ceramics Association 2018