words + links
projects + exhibitions
Glenn Barkley, Thames & Hudson, 2023
Dominic Guerrera, Words for Honor, 2022.
Louisa Taylor, Thames & Hudson, 2020
Fulvia Mantelli, Honor Freeman, Artist Profile, issue 42 2018, p. 96-100
Margaret Hancock Davis, Margot Osborne, Brian Parkes (Ed.), 2013, JamFactory, pp. 88, 89.
Roy Ananda, Harmonies and Disonances, Journal of Australian Ceramics, 51/2 July 2012, p. 74-77
Kevin Murray, 2005, Craftsman House, Melbourne, VIC, pp.100-105
Kylie and Tiffany Johnson, Thames & Hudson, 2023
Katherine Tamiko Arguile, A ray of sunlight amid pandemic gloom, 2021.
Leanne Amodeo, Odes to Ordinariness, 2017
Lisa Cahill and Penny Craswell (ed), 2018, Australian Design Centre, p.30-35
Kelly Gellatly (Ed.), 2012, National Gallery of Victoria, pp. 76, 77.
Front cover, Vol 53 No 3 of The Journal of Australian Ceramics, Nov 2011.
Adele Sliuzas, Being Consumed, Journal of Australian Ceramics, Nov 2014, p.16-22
Juliette Hanson, ebb, 2022
w a t c h . . .
Rayleen Forester, The Wound is the place where the light enters you, 2019. l i s t e n . . .
Inga Walton, Ghost Whisperer, Ceramic Review July/August 2019, p 28-33
Sera Waters, The care-full craft of lifetimes, Journal of Australian Ceramics, 55/2 July 2016, p. 58-62
Kait Gilioli, Broadstrokes blog, National Museum of Women in the Arts, Washington DC
Christine Morrow, MCA, p. 16-19