Juliette Hanson, ebb, 2022

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w a t c h . . .  

Rayleen Forester, The Wound is the place where the light enters you, 2019.             l i s t e n . . .

Inga Walton, Ghost Whisperer, Ceramic Review July/August 2019, p 28-33

Sera Waters, The care-full craft of lifetimes, Journal of Australian Ceramics, 55/2 July 2016, p. 58-62

Kait Gilioli, Broadstrokes blog, National Museum of Women in the Arts, Washington DC

Christine Morrow, MCA, p. 16-19

Dominic Guerrera, Words for Honor, 2022.    

Louisa Taylor, Thames & Hudson, 2020        

Fulvia Mantelli, Honor Freeman, Artist Profile, issue 42 2018, p. 96-100

Margaret Hancock Davis, Margot Osborne, Brian Parkes (Ed.), 2013, JamFactory, pp. 88, 89.

Roy Ananda, Harmonies and Disonances, Journal of Australian Ceramics, 51/2 July 2012, p. 74-77

Kevin Murray, 2005, Craftsman House, Melbourne, VIC, pp.100-105

Katherine Tamiko Arguile, A ray of sunlight amid pandemic gloom, 2021.    

Leanne Amodeo, Odes to Ordinariness, 2017

Fulvia Mantelli, Honor Freeman, Artist Profile, issue 42 2018, p. 96-100

Kelly Gellatly (Ed.), 2012, National Gallery of Victoria, pp. 76, 77.

Front cover, Vol 53 No 3 of The Journal of Australian Ceramics, Nov 2011.

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Adele Sliuzas, Being Consumed, Journal of Australian Ceramics, Nov 2014, p.16-22